Carrie & Brandon’s Engagement Session
Wednesday, June 30th, 2010Carrie and Brandon are a couple of Yankees who are going to be married at Cedarwood here in Nashville in a few weeks, and we took this opportunity while they are in town finalizing plans to photograph their engagement session at Ellington Agricultural Center and the Shelby Street Bridge. Just like nearly every couple I shoot, they warned me in advance that “they don’t photograph well.” As usual, they did a great job for me and I was pleased with the genuine bits of interaction that occurred throughout the shoot. The first shot is a perfect example of the kind of spontaneous moments that I really enjoy: Brandon wasn’t directed to do that, and it made all the difference.
Its always a challenge to shoot in a spot that you’ve worked on many previous occasions, so I was particularly pleased to find a new angle on the Shelby Street Bridge that I hadn’t tried before. I really dug the composition of shot #6 as something different and interesting.
Thanks for a great session guys, and thanks to Chip for coming out and helping me with the gear!












The New Vintage Collections Sample
Thursday, June 24th, 2010The new Vintage Collections sample is here!
This is a hand-made matted album, constructed lovingly and of the finest materials. This sample is 12×12″ in size, and is comprised of 62 exquisite darkroom fiber prints from Jennifer & Eric’s wedding (shot entirely on B&W film). The prints are sized 4×6″ and 6×9″. The book is protected by a beautiful hard case. This is quite simply the finest album that I could put together, working with the best craftspeople in their respective fields. If words like “hand-made,” “artisanal,” and “classic” resonate with you, then you owe it to yourself to see this volume.






Harriet & Steven’s Wedding
Monday, June 21st, 2010Daniel and I traveled from Nashville out to the far northwest reaches of Tennessee up in Union City for the wedding of Harriet and Steve this past Saturday, and boy was it a hot time up there! In honor of the 103 degree weather, Daniel and I decided to move to breathable white polo shirts and khakis as our uniform for the day. This prompted an amusing incident, when the hosts of the bridesmaids luncheon mistook us for Bible salesman and attempted to shoo us away.
When I met with Harriet and Steve a few weeks ago to discuss what they wanted their coverage to look like, it was clear that this was going to be a small town wedding with the three F’s of paramount importance: faith, family, and friends. I am proud of the way we’ve reflected that spirit in these and many other images from the day. I love the “first look” photos in front of the stained glass in the church, and the huge number of family and friends speeding their exit to the reception. A particular favorite shot of mine occurred when Steven ducked into a dark side-chapel to get a moment alone before the ceremony. I enjoy his thoughtful expression as he considers the gravity of the coming moments. Daniel did a superb job on the dance photos, again evincing his superb timing and judgment as a photojournalist.
Credit to the ladies at Magic Moments wedding planning in Union City for ensuring that this occasion went smoothly, and it’s ALWAYS a pleasure to work with David and the rest of the talented musicians from the Nashville Blue Tones.
Thank you so much everyone! If you would like to register to view the complete gallery when I have finished editing this wedding, please click on this link: Harriet and Steven’s Pictage Gallery



Collaborative effort from Me and Daniel
image by Daniel Shaw







another collaborative effort from me and Daniel















image by Daniel Shaw
image by Daniel Shaw

image by Daniel Shaw
My Buddy Kay
Wednesday, June 9th, 2010Party animals that we are, my best buddy Kay and I were hanging out on friday night messing around with my new Mamiya 250mm f/4.5 APO. One of the best parts of shooting film is buying $3700 lenses on eBay for $300.

Understanding Wedding Photography (Part 1)
Tuesday, June 8th, 2010Over the past few years, wedding photography has significantly evolved from a very limited and static style, towards a dynamic blend of various photographic disciplines. In my consultations, I frequently find that couples are confused by the diversity of styles and options offered to create images from their wedding. To this end, I’ve decided that it might be helpful to create a guide that advises brides and grooms on some of the terminology that is common to the industry, and some of the options that different vendors may offer.
First and foremost, its important to recognize that a wedding photographer is typically called upon to work within a variety of disciplines throughout a wedding day. Almost all wedding photographers these days offer a blend of photojournalism, contemporary portraiture, traditional portraiture, and detail shots. However, photographers may diverge wildly regarding the actual composition of this blend, and the priority they place on each component. You may find that one or two of these disciplines are much more important to you than the others, and it is important to find a photographer who shares your priorities.
Photojournalism:
This may also be referred to as “candid” or “documentary” photography, and it describes wedding photos that have not been set up in any way by the photographer. Photojournalism seeks to document the day as it happens with minimal interference. Almost all wedding photographers these days *claim* to offer some sort of photojournalistic component to their coverage. However, many will present candid-looking contemporary portraiture as their “photojournalism.” Quality photojournalism is not merely snapshots of events as they unfold, but carefully considered storytelling that typically incorporates multiple content elements into a cohesive narrative.


Contemporary Portraiture:
Contemporary Portraiture may be described as “fashion-inspired,” “editorial,” or even “rock-star.” Contemporary wedding portraiture is NOT photojournalistic in nature, but it may appear to be so. Modern wedding photographers are skilled at either posing subjects, or placing subjects in situations/interactions that will yield dramatic portraits that do not appear “posed” as with traditional portraiture. Some shots may feature extremely stylized posing, either for group or individual portraits. Contemporary portraiture frequently incorporates dramatic lighting, photoshop effects, special lens effects, and a variety of other techniques. The vast majority of top-tier wedding photographers emphasize contemporary portraiture in their advertising, because it is usually the most eye-catching and dramatic style of wedding photography.


Traditional Portraiture:
Traditional portraiture has been, and will continue to be, and important part of what most wedding photographers offer. Traditional portraiture may be referred to by some as “formals,” or “the group photos,” but it may also include traditionally posed individual portraits. Most professional photographers these days minimize this part of their coverage in their portfolios and as they make sales presentations, however it is rare for a client to choose coverage completely devoid of this style. When executed well, traditional portraits serve as a document of family and friends’ presence, and make all of the subjects look good. A photographer skilled in traditional portraiture will ensure that all subjects are posed and lit in a flattering, if usually somewhat static manner.


Detail Shots:
Detail shots are the primary focus of most bridal blogs and magazines, and are an extremely important element to many couples. Couples will spend countless hours selecting specific colors, centerpieces, cakes, flowers, and other details. Skilled wedding photographers apply many techniques from commercial product photography to document each of these details in an exciting fashion. Some photographers become well-known for their ring shots, flower shots, or other detail-focused images.






